We Wake Up is a powerful rap by Karma (Vivek Arora) about the bleakness of the world. While talking about the selfishness of people who are too lost in superficialities, the video subtly hints at the corruption and dissatisfaction with political and administrative leaders. Made as a reminder to wake up in the year 2019, the video also talks about how in the rat-race of getting more likes and hollow fame on social media, people are willingly closing their eyes to all that's wrong around them. But will this be the year they wake up?

We Wake Up | Short Film of the Day

With rap as its medium and tool of choice, the video attempts a powerful comment on the Indian society. Rapper Divine brings to the screen the angst and apprehensions regarding notions of gender, class and financial inequality the nation has found itself gripped by. The visuals follow one after the other in quick successions to communicate the same message - about the hollowness of an existence that has come to be defined by only empty exteriors. The soundtrack constitutes of addictive beats, also a remote echo of Tiger Baby's previous major rap production, Gully Boy. However, despite the overlap, it manages to stand on its own as a masterful music video, supported by an equally skilled song.

Gandhi Money | Divine | Short Film of the Day

In the village of Kamleshwar, the Good Morning Squad has taken it upon themselves to ensure anyone who participates in open defecation is subjected to a fine. One morning, when Vitthalrao finds himself in the path of the Squad, he makes a run for it, to eventually be met with a very tragic end. This accident puts numerous elements into action, involving media, news anchors and their boisterous television shows, along with politicians. 

Soon, Vitthalrao's surviving family, his son Balya and his wife, are roped into an overnight makeover of their house by the sarpanch Rambhau in preparation for the daura or visit of an important state minister. The plot comes into its own adroitly employing satire and dramedy to share a story of personal motives, the sham of sympathy, the indifference to a family's misery and struggles, and the various aspects tied with a sense of frivolity that only serves to echo 'Daura''s intentions loud and clear. The film does a seamless job of playing on the absurdity and ridiculousness of it all, marked by engaging storytelling and tonality throughout. The final result succeeds in delivering its message in an emphatic manner, allowing the narrative to be a composite, balanced whole.

Daura | Short Film of the Month

At first glance, the film presents an objective, fly-on-the-wall perspective on a sensitive topic that has polarized opinions for a while now. A chasm between the ideologies of the left and the right is presented to the viewer through an interview with a theatre artist. While he speaks of religious harmony, the journalist, quite evidently clear in his sympathies towards one ideology, and very openly critical of the theatre actor, constantly pushes to make the interview as colorful as possible. 

By way of the words articulated by the actor, a comment is offered on the sensationalization of news at the cost of the very fabric and identity of India as a nation. The film, complete with a notable protagonist, is concise and unequivocal on the two schools of thought that are portrayed, in addition to sharing its views on mindless hate and what the consequences can be for someone who dares to question it.

Anti National | Spotlight

Along the banks of the holy Ganga, the historical city of Varanasi acts as the backdrop for the film, Taam. Life of three characters belonging to separate generations, during a trying time of deconstruction of the authentic, cultural city is depicted through the short narrative. 

The oldest in the family, a Brahmin pujari who spent a lifetime practising his religion on the ghats of the river, is now being forced to leave the very alleyways he was born into, the ancestral, mystical walls which hold fond memories of his deceased wife. Amidst the constant movement of the several forces tugging at each other, his son tries to straddle the political and the social aspects of the ensuing developments. 

The protagonist is pained at the loss of the city, but is accepting of the resulting compensation- one which is deemed necessary for the survival of their family. Lastly, the innocent boy, still learning the trade, ends up meeting the cruel realities of the world he exhibits. Allowing all of these elements to play themselves out against the several warring factions of society, the film provides insight into life in Varanasi. The many undercurrents of totalitarianism, caste, religion and abuse are further allowed portrayal within the narrative, enabling it to finally tie them together as a cohesive whole.

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