Dealing with a topic as sensitive as child sexual abuse runs the danger of easily falling into a space of sensationalism, voyeurism or simple unpalatability. It requires a meticulous and delicate treatment in order to drive its point home, to introduce a possibly unsuspecting or unwilling audience to it, to hone their sensibilities and awareness in the most constructive way possible. If a film makes you sit up and pay attention to your actions and of those around you, to perhaps strive for reform, then a product of art can be considered successful in a significant way. That is exactly what Maunn manages to achieve. 

The film opens with a shot in the dimming light of twilight on a terrace, clearly suggesting the passage of imminent darkness. The plot unfolds to reveal that the couple is quarrelling about sexual abuse of their ten-year-old daughter, Shreya at the hands of their neighbour's son, Dev. We make our way into the house, currently under a power-cut, while the couple continues to argue about their course of action regarding Dev. The muted colour palette and the dimly lit frames remain until the absolute moment of clarity is achieved by the viewer as well as Shreya's father when he finds Dev uncomfortably close to his daughter. The moment is further foregrounded by the end of the power-cut. Light floods back into the room, along with the father's undeniable realisation of his daughter's abuse. 

The crux is reached in the narrative in a forceful manner leaving the viewer unsure of what truly hit them. As they reel with the aftermath, the film succeeds in reiterating the message it had set out to convey at the start. However, how will it influence Shreya's parents?

Maunn (Silence) | Eros Now | Anurag Arora

Women's accessibility to public spaces is fraught with threats of molestation, street sexual harassment and sometimes even far worse. The film attempts to draw attention to this limited space that is allowed to women, and how the entire society, from family and friends, to colleagues and complete strangers, are implicit in reducing it further. The narrative makes the most skilled use of hand-held shots, tight frames and dim lighting to drive this message home. It's written in a manner that makes the viewer deeply invested in the fear and the anger of the three main characters. As their families tell them to avoid stepping out and confronting their harassers, the women find their strength in each other. However, more than trusting each other, they have to find that strength and trust in themselves. Once they manage to conquer the enemy within, there is little they cannot defeat without, emphasises the film.

That Day After Everyday | Short Film of the Day

The story is of a saleswoman visiting three different houses to convince three potential customers to try her Mamta Tonic. She is giggly, chatty and determined to sell her product. The narrative of the film is skilfully written and achieved with the protagonist moulded in an artful manner. However, a dark twist awaits this seemingly mundane activity of door-to-door retail. The unpredictable plot further accentuates the intelligence of Mamta Tonic, bound to leave the viewer shook in their seat.

Mamta Tonic | Short Film of the Day

The little moments that constitute life are weaved together most seamlessly in this anthology of short films. From the loneliness of old age, and a deep desire to reconnect with someone, to the little joys of simply eating an ice cream - the thematic concerns are far and wide across the spectrum, and yet never out of synchronisation with one another. Each story that the film offers is more powerful than the other, and is bound to stay with the viewer long after they are done watching it. The subtle, but potent commentary the narrative presents on issues of gender, misogyny are loud and clear, without falling in the trap of sentimentalism. Additionally, the film's insight on old age and mental health is noteworthy. The performances and portrayal of all the characters enhance the stories further, ensuring that often only the eyes are sufficient to express and communicate the intended sentiment, even before the film makes it explicit for you. All of these elements together allow Jump Cuts to work on several levels, making its success well-rounded and complete in itself.

Jump Cuts | Short Film of the Month

Some short films are so wonderfully made that you know they will stay with you for a long time. Chotti, with its beautiful exploration of a mother-daughter relationship, is a perfect example of that. Written and directed by Akansha Seda, this Culture Machine production stars Lillete Dubey, Ira Dubey and Sarah Hashmi. Strong performances, skilled cinematography, soulful storytelling and brilliant writing of the narrative come together to portray how dynamic, fiery and endearing a mother-daughter equation can be. Watch very closely because you don't want to miss any part of this lovely story and the sophisticated manner in which all of it ties up very neatly at the end.

Chotti | Short Film of the Day

People often make the mistake of associating gender sensitivity with a particular class or group of people. However, this short film goes to prove that being respectful and non-discriminatory isn't really the question of what language you speak or where you belong. The film opens on the wedding night of a young couple, clearly inexperienced in sex. It wonderfully encapsulates their hesitation and nervousness with much credit owed to the writing as well as the performances of Saurabh Goyal and Preety Sharma. While the boy seems to be infatuated with the new bride, his parents' have very different concerns. The short film attempts to call out regressive and demeaning practices that are often enforced in the name of tradition. It also draws attention to the manner in which it affects the mental health of women and young brides across the country.

Seal | Short Film of the Day

With disturbing data that suggests one in every three women in the world has been sexually or physically abused at some point, this short film by UN Women makes a strong case for women's rights. The simple weaving of visuals of different situations are sufficient to convey how unsafe women are at work, in public spaces and at home. Lakeer raises a very important question - where do we draw the line when it comes to violence against women? With a coherent and sophisticated narrative, further coupled with good acting and visuals which are disturbing without even bordering on voyeurism, the short film becomes the kind of content the world needs.

Lakeer | Short Film of the Day

OFFICIAL SELECTION


Vancouver International South Asian Film Festival

OFFICIAL SELECTION

SPECIAL SHOWCASE

OFFICAL SELECTION - INTERNATIONAL COMPETITION

Shot on a phone, with the entirety of the film constituted by simply three long takes, 'Cycle' is a brutal story about the path of revenge, and eventually, as the title suggests, the cycle of hate. The unbreakability of the latter once it has been set in motion serves as the backbone of the narrative. 
 An intense and extremely disturbing episode of sexual violence inflicted on an overpowered tribal woman is your first introduction to the world of the film.

Marked by conflict and unrest between local tribes, and the militant forces in an unnamed location (presumedly Chhattisgarh where people enjoy ant chutney), it is a reality of weapons, oppression and torture. If the purpose of art is to disturb, compelling you to engage in constructive thought which leads to reformative action, then 'Cycle' is indeed a crucial piece of art. It exposes not only the grotesqueness and nightmarish reality of extreme violence, but also the many far-reaching and adverse consequences of the same, while steering very clear of sentimentalism and voyeurism all along. 

The film will stay with you long after you are done watching it, and at the end of it all, it would have served its purpose of urging you to reflect on your lived reality as well as the experiences of those who inhabit a world far different from yours.

Cycle | Devashish Makhija | Watch Now

The coronavirus has wreaked havoc on society in several ways, be it financial, or in terms of health. It has completely shattered our notions of normalcy or what was once considered normative in terms of how we interacted with our professional and personal life. This has been caused by the complete blurring of the lines between the home and the world, and the documentary film is an engagement with the same thought. 

As the name suggests, it takes the viewer into the work-from-home lifestyle of a teacher, and delves into the several aspects of this change that the pandemic forced on her. While juggling household chores and her duties towards her students becomes a daily reality, the narrative invoked to communicate all of this remains controlled and quiet. It does not take shelter in any ornate devices or ostentation, or even spiral away its energy in a feverish fervour. This, in turn, becomes a decision that allows it to succeed at sharing not a story of grandeur and loftiness, but one marked by the mundane and everyday chores. 

Within its folds also lies a comment about the location of women in society where they straddle domesticity as well as the professional space in a manner that is not expected of men. In the process, the film offers an endearing, honest and sincere story, enabled and enhanced specifically by its tone and approach of subtlety and calmness.

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