WINNER, SHORT FILM OF THE YEAR

OFFICIAL SELECTION

SEMI-FINALIST

The biggest strength of 'Tower' lies in the approach and tonality it adopts to share the narrative. The narrative itself, it should be noted, offers an impactful conversation around a serious environmental concern, using a very unlikely circumstance - the love story of a cow herder in a corner of rural India. 


While we may have established the protagonist's location to be a 'rural corner', thanks to the rampant spread of technological advances, even this small village is seeing its fair share of change in the form of cellular services and their accompanying towers.  


Parshuram, or as he is better known in his village, Phalya,  spends the majority of his time either in the fields with his young friend, Jaygya (a naughty, Tinkerbell-esque presence), or navigating and admiring the beauty of birds in his vicinity. Every morning, as Phalya strolls through the expanse, a red bus stops to reveal to the audience his childhood crush, Manju, sitting by the window. Alongside Phalya and Manju's love story, another narrative is developing, one about the disappearance of birds from the former's village.  



After conversing for hours on phone calls, the two eventually decide to meet. Following the rendezvous and a conversation about Manju's academic matters, a startling and concerning revelation is made. As the protagonist chooses to to eradicate the root cause of the dwindling bird population, the constant push and pull between nature and technology is conjured for the viewer. In the process, the film raises a resounding question - have centuries of co-existence been disrupted beyond repair by the advent of modern technology and human activities? At the end of it all, the many elements of the plot are eventually tied together with a strangely heartwarming and uplifting message that ensures that the story concludes with a critical comment about the responsibility of each of us towards the world we live in, a statement that will stay with you long after you're done watching the film.

Tower | Short Film of the Year

Earlier this year, of the many internet gems that graced our virtual chats, there was a video of a middle-aged Indian man, a figure (soon to be fondly known as Dabbu uncle within the realm of the internet) we are all too-familiar-with dancing to the Bollywood song Aap Ke Aa Jane Se. Picking up from there, the eponymous short film weaves an endearing and heartwarming narrative about a man, Rammo Babu's life who finds himself at the centre of unexpected attention when a video of him dancing at a wedding goes viral. 
Unable to make much sense of this era of smartphones and WhatsApp forwards, Rammo Babu lives a simple life. He sells sarees with a single-minded devotion to his job, drops his children to school every morning and ensures he always turns up for his family, driving them around sandwiched on a two wheeler. Manu Rishi Chadha as Rammo Babu would completely win you over with the disarming vulnerability he brings to life in the film. The performance is tied with an organic and smooth progression of events within the plot, ensuring that it succeeds at striking all the right chords with the audience. 
Additionally, the film does a notable job of portraying the many nuances and subtle realities of a middle class household where it is only the simple joys that often suffice in making someone’s day. It is precisely in achieving this, among other things, that the film’s true success lies.

Aap Ke Aa Jane Se | Short Film of the Day

Against the hinterland of 2014 rural India, when it is still untouched by technology and the internet, and is instead marked by child marriages and walls covered with social messaging about covered toilets, the film allows its narrative to develop. One morning, three school boys (who choose to refer to their eleventh grade school as 'college', a notably authentic touch to the story), find a smartphone. As a scuffle ensues regarding the ownership of the phone, the desire for internet has also begun to stretch its limbs in their imagination. While the story is still establishing its premise, a new girl comes into the village and is soon the inhabitant of the only house with a wireless internet connection in the area. The film, marked by its lovely visuals and camerawork, allows the WiFi at her house to be the common pin that holds the entire plot together. It is also the pivot on which the film rotates, bringing in several emotions - of friendship, young love, loyalty, mischief and an eventual acceptance. It is fresh and contemporary of the right kind in its premise, sincere in its attempt to localise the story and successful in tying all of these elements together in an organic, cohesive narrative.

WiFi | Short Film of the Day

Media often offers a very tiresome portrayal of old people, reducing them to frail, feeble beings with little personality beyond that of chronic illnesses or existential despair. Consequently, when a film appears with a protagonist advanced in her age, but marked by the zest and verve that could be characteristic of anyone at any age, it is a fresh breath of air, to say the least. It is indeed heartwarming, and entertaining, to be introduced to a grandmother who decides to take matters in her own hands when her teenaged granddaughter seemingly avoids spending time with her. Our protagonist brings in the aid of technology to learn a thing or two about the smartphone era. While a regular internet user might be all too familiar with it, to the extent of having conditioned themselves into accepting it as the norm, experiencing it from the point of view of an outsider is truly the hilarious, eccentric and revelatory journey you would want to embark on. Additionally, when the granny has finally reached her intended destination, will she still have as much time as before to spend with her granddaughter? The narrative presents forth an answer in the most endearing manner.

Granny Wannabe | Short Film of the Day

The deep infestation of technology and the extremely destructive pitfalls of the same form the narrative of the film. Society’s extreme dependence on smartphones and the internet, and the myriad ways it has left them enslaved without their realization is critiqued by the film in the most earnest manner. Visual treatment with edits and stylistically fitting music choices further support the endeavor. The story comprises two main characters Dharma and Piyu, and the most heartbreaking tragedy that is intertwined in this love story. 

The film is located in Ahmedabad where the city is targetted by an unknown man, the eponymous Drohin. While introducing the viewer to all of these aspects, the film presents an origin story, a first step, and a self-professed prelude to a longer story, leaving the door open with the promise of subsequent parts.

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