The story of Falana Dhimkana is of three different pairs of people and their individual struggles. The narrative is an exploration of the less significant moments of life, those which fall between the cracks of milestones and landmark achievements. The style of the film adopts the most natural flow and offers a beautiful portrayal of several things - from union and partings to hardships and most universal of them all, pain. The film comes across as a wise decision by the young filmmaker Prannoy Mehta to talk about concerns no grander than heartbreak, financial trouble and raw, honest intimacy between two people. All of this is gracefully weaved together with the stories of its characters, rendered convincingly by the actors. Falana Dhimkana is subtle, soft, and a reminder that irrespective of where we may be in life, pain finds us all in the end, but so does hope, happiness and joy.

Falana Dhimkana | Short Film of the Day

In an interesting subversion of order, the short film presents to us the experience of an upper caste boy who is constantly bullied and ridiculed by members of a lower caste. The latter, complete with drums and fanfare, leave no stone unturned in tormenting their victim, ensuring to drive immense laughter and malicious entertainment out of it. 

The weaving of these events is done in a competent manner, ensuring that the story communicates all its intentions with force and impact. The performances and the chemistry of actors, the well-developed equation of the protagonist and the antagonist, all aid the said intentions. 

Without explicitly saying so, the film offers a crucial comment on the oppressive caste structures that operate within society, while also tying it with a sense of male machismo that can acquire overwhelming proportions of its own. The final result, thus, becomes a relevant story, one that should surely be interacted and engaged with.

Cowman  | Short Film of the Month

During the coronavirus lockdown, we have all had at least that one friend who somehow found it possible to turn themselves into productivity machines. Things would have been perfectly alright up until this point if only they had not chosen to share their enthusiasm with the rest of the world as well by means of a social media onslaught. Then came the culinary experts who swore to flood our lives with every little attempt of chopping an onion. And yet, one could have contended themselves in the name of the various emotional pressures that our 'new normal', as the internet loved to call it, put so many of us under, leaving everyone with whatever coping mechanisms they could grasp at. However, just when you thought it's all over, we had our former lovers' Instagram feed to endlessly scroll through. The short film is a weaving together of all of these characters and the resultant emotions and situations (and more) in a lighthearted, humorous manner. While it makes you laugh, it further goes the extra step of using fast-paced, smooth visuals to portray it all. Stylistically, the film earns extra points for its energetic and skilled camerawork and edit, at the same time engaging with concerns of mental health and the manner in which it has come to be tied with our quarantined and confined reality all along.

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