‘Seher’ is a heartfelt film, bringing to life a quiet mellowness on screen. The entirety of it is a conversation between Abhay and Hussna, a conversation that begins at a very pivotal point in the night for both characters. 

The ensuing exchange offers an earnest exploration of grief, loss, death, heartbreak, and some more. As they catch up, we hear of the many tribulations that afflict their lives in the form of infidelity, the uncertainty of life for a freelancer, financial troubles, the obstacles presented by the pandemic, mental health issues, and failure in love. 

The myriad emotions are shared without overwhelming the narrative. Even though we never see the two characters together in the same physical space, their palpable chemistry portrays the film’s reality with conviction and ease. The thread that ties the film as one is held tightly in place by a beautiful exploration of a Platonic friendship, and the idea of people saving each other not by grand gestures, but by simply sharing small, simple pockets of bonding, care, and affection.

Seher | Short Film of the Day

Thorny plants, peeling walls, and some other dying corners of a house establish the tone of the film for the viewer. A sick man lies bedridden when he is visited by a concerned, panicked well-wisher. The man instead focuses on a plant called Junie, and continues to dismiss the entrant’s anxiety. As the story proceeds, a world marked by chronic illness, loss, grief, and immense tragedy is invoked by the viewer. 
The screenplay and performances remain tightly intertwined as one to bring forth an expert end result. The emotional spectrum is achieved with skill, offering the viewer a glimpse into relationships and familial bonds that are messy and overburdened with all kinds of complexities, and yet, they remain the most unexpected as well as powerful source of comfort.

Junie | Spotlight

The story of the film is about several things - it is about bereavement, the consequent grief, trauma and what it means to always be at war with your loved ones regarding the decisions of your life. Its title, which loosely translates to make-belief, further offers a comment on how several restrictions that truly hold us back, find a home inside our minds first, even before they achieve a physical manifestation. The film employs beautiful visuals to share its intentions and a plot that is notable for its thrill and the unpredictability of the direction it is headed in. It is for this reason that while the narrative might first give the impression of being a drama, it soon unfolds to reveal a darker reality - one of violence, overpowering authority figures, the duress of forever being under scrutiny and the disturbing outcome it might eventually result in, allowing it to be an engaging, relevant, as well as entertaining product.

Mangadhant | Short Film of the Day

The short film is a calm conversation with grief, longing, heartache and the inexorable passage of time. Based on a short story by Madhumita Dasgupta, it opens on the first death anniversary of a man who is survived by his daughter, living by herself in their house. The narrative progresses to reveal her own struggles and internal obstacles left in the wake of her father's death. The story engages with several aspects of life that range from relationships to the hard, practical realities of life. Its storytelling is further supplemented by a poetic narration by Naseeruddin Shah, moving in and out of the film most organically and smoothly. The film exhibits a sophisticated tying together of visuals that enable it to communicate what it had set out to successfully. While we may forever endeavour to compartmentalise our feelings and rationalise the various events of life, there are indeed some vagaries that transcend all of these categories, underlines the film with its quiet conclusion.

Bin Bulaaye | Short Film of the Day

The title of the film sets the first expectations in terms of its thematic concerns; the approach and storytelling ensure that their exploration does not become trite or predictable. 

Vihaan is lazing in a park, consumed by his own thoughts when a phone call delivers the most shocking news - one about the passing of his school best friend Krish. Vihaan's long silence which follows as the caller continues to share her plans establishes his emotional state for the viewer - a numbness-defined quiet. 

A group of their school batchmates meet at a friend’s house to share their grief and thus begins the protagonist’s efforts to come to terms with everything that he’s feeling, or rather the very lack of the feelings that won’t come. It is further interwoven with how grief means different things for different people, and for some, nothing at all. The film ropes in notable choices for the background score, along with exhibiting thought and care when it comes to the screenplay, writing, and the overall putting together of the end result as a composite whole. It leaves the door open for expanding on the already-evidenced potential and storytelling in future projects.

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