The short film opens with a man's point of view and his observations of a woman from afar, constructing an entire narrative about her life for both himself as well the viewer. This poetic narrative is further marked by skilled visuals, interweaved with the dialogues in a smooth and seamless way. <br><br> If the film has given the impression of being simplistic so far, it is intentional. It has deliberately led the viewer to a place diametrically opposite to where it actually wants to locate itself, thereby making its conclusion more impactful and notable. In the process, it manages to offer a relevant comment on not simply our own perceptions and assumptions, but also assault and violence against women, and the manner in which society stereotypes and views them.

Nazariya | Short Film Nominee

Marked by a complete absence of dialogues, the plot only uses gestures, glances and facial exchanges to share its story with you. Once the opening shots have established the insides of a local grocery store, we are introduced to the shopkeeper who sits by himself, enjoying his music. Soon a little boy visits with an order of a kilogram of sugar. <br><br> The film henceforth starts a conversation on the innocence of an unsuspecting child which is in direct contrast with the dishonest intentions of the adults who inhabit his world. However, despite being convinced that he has managed to trick the little boy and successfully cut corners from the order, what unexpected turn, that would also hold a mirror to this unfair act, awaits the seller?

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