Indian domesticity and sexuality are two paths that never overlap, and there is nothing to be gained from this forced distancing. ‘Let’s Talk Later’ explores the same thought by introducing us to a family that lives in a small house, sleeping in the same room. 

Consequently, the children are exposed to the intimacy of the parents with devastating consequences, especially for the pubescent daughter, Shweta. Despite her inability to truly comprehend the experience, she also tries her best to protect her younger brother. The narrative does a competent job of delineating the vulnerability of the children, and the manner in which they are disturbed by the circumstance. 

There is also an engagement with the deep discomfort of the mother, adding one more layer to the story that works in its favor. At the heart of it all rests the compelling reminder to find a way to normalise sexuality for children in a healthy manner, and to put an end to the desexualization of Indian domestic spaces.

Let's Talk Later | Short Film Nominee

The short narrative is an endeavor in talking about a very relevant concern in contemporary times - the location of women and girls within the confines of domesticity. It wants to show the struggles of a young girl who dreams of dancing, following her passion, but instead is left to execute dull, mundane household chores. The metaphor the story draws from is that of a caged bird who also happens to be our protagonist's sole companion in a life of denied desires and wishes. Chiraiya is a well-intentioned attempt which could have perhaps gained from a more nuanced portrayal of a hijabi girl, while steering clear of the resultant oversimplification and its usage as a tool to pronounce women's marginalization.

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