The title presents to you the motif that would become intrinsic to the film's core. Essentially, the story is of Maloti, a woman who works as a domestic help. The character is brought to life by a notable performance that becomes one of the most standout aspects of the film.
Alongside the development of the plot are chants and rhymes about goddess Durga whose presence has been a force to reckon with in the household Maloti works in. A life of cruelty and domestic abuse is presented to the viewer with a parallel narrative of a couple that suggests other female presences and their location in society. Tying it all together, however, amidst tears and tragedy is an unmissable act of taking a selfie, one that declares loud and clear the ideas of self and identity to the viewer, while also unpacking the title of the film.
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