Crime, love gone sour, mythology, and a battle between demons and gods, all form integral parts of this carefully woven film. The narrative, though mainly confined to a single night and the seediness of its shadows, moves back and forth in time to construct the story of primarily three characters - a police officer, a disgruntled lover, and a man who is overwhelmed with financial tribulations. 

Adding to the intrigue is a fourth character, a woman, Mhalsa, who will come to alter the course of the narrative in an irrevocable, lasting manner. She enters the plot at a crucial juncture with a past that connects her to more than one man, a topic of intense discussion by all the men who surround her. 

The cop regales a nervous waiter with a mythological story that will present the most crucial metaphors of the film, ideas of right and wrong, and how more often than not they get reduced to a grey realm of blurred boundaries. A little distance away from him two friends await their third companion who arrives with a disturbing tale of his own. The two parties remain completely oblivious to the third where the man shares his woes with a confidant. 

Notwithstanding a few rough edges in terms of production, particularly in the department of sound, there is a smoothness with which all of these elements are eventually connected. The duration of the film allows it to spend enough time on each subset of the plot without losing pace. The writing becomes a notable aspect of the film, followed by the edit and performances, all of which together give rise to an engaging end result that displays sincerity and investment of thought.

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