The film is a quiet rumination on aging, the passage of time, and standing still as you watch the world change before your eyes and continue with its inexorable march. All of this is explored by the lament of a protagonist played most adroitly and skilfully by Naseeruddin Shah, who observes it all from his window. 

After having lived a life of hard work, one which even kept him from spending time with his son, his circumstance has slowed down now, leaving him only with this window and his thoughts for companionship. As he eschews modern technology, smartphones, and virtual contact, instead longing for more meaningful and intimate human interaction, the film comes into being. 

The narrative is constructed gingerly, bolstered by beautiful visuals, and supplementary colors that further invoke warmth and an intrinsic poignancy. The protagonist, and in turn, the film, however, is not marked by bitterness. Instead, only a lament on separation, on things changing too swiftly in their unalterable course, defines it. 

 There is an acceptance of this condition, but not devoid of sadness. A man’s relationship with his house, a space that stands for a life lived fully, complete with its losses and grief, as well as nostalgia, memory, and even strength, thus becomes the overarching force in the film. The narrative takes the form of a story of the old being replaced by the new, echoing the idea that while a life might end, the world continues to move forth, each individual going about their day as always.

Khidki | Short Film Nominee

By giving a confused terrorist as its protagonist, Faqr Hai talks about India as a nation to be loved, despite all its weakness and disadvantages. A terrorist, who is supposed to carry out an attack on the country, is left alone to research and educate himself about its history. Little does he know that an interesting development awaits him on the other side. Anil Mange, the comedic, clueless terrorist finally manages to reach a decision about his opinion on India. However, will it alter the course of the attack? The film does give in to sentimentalism towards the end, as is not uncommon of several films on the topic, but remains a light-hearted, well-intentioned product to be watched when the immediate reality of the nation disillusions you.

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