The very beginning of the film ensures a swankiness of style that would come to be associated with this sleek thriller about a hit-and-run, drugs and violence. It further employs an intelligence of visuals and framing (albeit marked by want of some control on light), as well as editing that enables the film to be a colourful and engaging experience for the viewer throughout. <Br><br> The story in itself is fairly simple - it's about a night when a man runs a person over with his car in the darkness of the night. However, are the events truly going to unfold in the manner both he and the audience have been led to believe so far? Soon enough, this question is answered as the narrative brings in a twist at the climax, true to the self-assured and noticeably sharp approach it had opened with, allowing the plot an unexpected culmination into its conclusion.

Big Rush | Short Film Nominee

When the story opens, it gives you very little inkling of the direction it is headed in. A woman is checking on cooked food and asking a family member to have her meal. However, before you know it, you are hit with a far darker reality. <br><br>The rest of the narrative comes to be defined by captivity, abuse, revenge and perhaps even violence which is suggested, but never played out on screen. As the woman sits before her screen, carrying out an important exchange, the plot slowly reveals its cards, along with its true intentions.

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