‘Rudra’ offers a notable comment on the very specific kind of anger that fuels the fire of revenge. It places a cycle of violence in motion from where there is no breaking out, unless the path of forgiveness and kindness is remembered in time. <br><br>
The visual narrative remains confined primarily to a single room where a man is busy at work at a make-shift desk. Surrounded by newspaper clippings and documents that hark back to both his present motivations as well as past tragedies, the film presents its world to you. There is a judicious use of space and limited resources to bring the story to life, conveying its message to the viewer in a lucid manner.


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