The meaning of existence and the several philosophical, spiritual and existential ideas that come to define and constitute it becomes the primary concern of the film. <br><br> As its protagonist immerses himself in his pursuit of truth, he further engages with notions of salvation and renunciation. This leads him to realise that the level of spirituality he strives for is perhaps even capable of allowing him a transcendence with regards to the rules of the universe. A conversation with science and art is also roped in - from Einstein to Da Vinci, the narrative interacts with them all. The film remains true to its intentions and tone, maintaining a consistency of pace throughout. It could have, however, exercised more control on its shadows and light.

Trap Door | Short Film Nominee

The film invokes an engagement with several concerns pertaining to human existence. From divisions that humankind has managed to breed within on the lines of differing ideologies of colour and creed, to what seems like an internal conflict with the self that will perhaps never be resolved - the narrative portrays them all. The interplay of these ideas is achieved against the hinterland of some of the most iconic texts by William Shakespeare that include Merchant of Venice, Hamlet, Julius Caesar and As You Like It. <br><br> The film exhibits a sincerity of effort and thought, achieved and executed by its ensemble cast, with each member attempting to employ their limited resources to full efficiency. In terms of writing, however, the script comes across as something written more for the textual medium, involving reading, as opposed to visual content. Adapting a script for the screen with this concern in mind would lead the team to realise their potential better in their future projects.


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