The short film opens on a harmless note, a man asking his domestic help to fetch him <i>ghee</i> from the kitchen. However, before the viewer can write the scene off as a mundane occurrence in a regular Indian household, the unease of the help is made clear. She is distracted and lost, perhaps preoccupied with something darker and more disconcerting. <Br><br> The plot develops to reveal a lovely juxtaposition of privilege and deprivation, of a cushy urban existence that talks of slight weight gains and lazing around the house, alongside a migrant labourer crisis of a country that battles a pandemic. The contrast is foregrounded in a potent manner, allowing the film to succeed at putting forth its concerns notably before the audience.

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