Naisha and Shirin meet over a dating app, and decide to get on a video call. Naisha is nervous and conscious
because she has never been on a virtual date before, but Shirin is patient and considerate, and quickly
makes her comfortable. They have many more video dates, over the course of which they try to
compose a song together. 
Do Re Mi is a sweet film with adorable, endearing characters; aptly cast too. Shirin and Naisha are the two pieces of the same puzzle, the Yin and
Yang to each other. Shirin is the older of the two, a working professional who is accommodating as well as at ease. Naisha, on the other hand, who is a student, is 
spontaneous and unfastened. While the former comes across as being more put-together with a kind, empathetic core, the latter radiates vivacity, but can be easily equally detached, at the same time, making it hard to look away when she speaks with her round, twinkly eyes. 
The concerns that these two characters share are the central concerns of desire or relationships themselves.
There is a push and pull happening all through. In some places one finds the film conceited and in others
amazingly sensitive, very much like the cruelty and kindness of lovers. The filmmaker does a good job
in making the viewer curious about their mind with flickers of notable potential in this work.

Do Re Mi | Short Film Nominee

It seems like the lockdown has closed all doors and pushed us all inside our houses where life is dull, boring and
mundane. But there could be surprises in store even in locked spaces. Oh Fish is one such story of an
eventful day. Harshita and Abhi live in the same building, but have never met. They are both single
millennials. A delivery mix-up makes them meet each other, but not in a regular physical sense. How does
that happen? Only when you engage with the film will you find out.
Oh Fish is a sweet, slice of life film enlivened by the vivacity of its actors.

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