Sravaka is an extremely successful dancer who is in want of nothing. Fame, success, and recognition lie at her feet, and yet, something disturbs her deeply. <br><br>

Unable to sleep or eat, she finds herself taking refuge in pills and constantly rushing back to her past. Her frequent visits to her guru ji, one whose existence is marked by poverty and isolation, push forth the narrative as it engages with philosophical questions regarding an artist’s relationship with their art, the fear of anonymity, the eternal quest for immortality, and what it means to achieve worldly success, even if at the cost of being dishonest as an artist. These ideas are portrayed with a close-knit union with dance sequences, crafted, choreographed, and performed most seamlessly and gracefully. <br><br>

There is further an earnest desire to explore the darker realm of success, especially for a dancer who is not only of a different nationality than her art form but has also seen turbulence in her former life. While a few raw edges appear in terms of the screenplay and the visual representation of some of the exchanges between the characters, the film’s core remains devoted throughout in its effort to seek meaning in existence and success vis-a-vis art.


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