‘Macbeth’ is an engagement with guilt that has followed in the wake of a violent act. At the onset of the story, we are met with a terribly heinous occurrence. It is an event that would continue to have ripples on the rest of the narrative. We are then met with the eponymous protagonist and the many ways in which his conscience has been fractured by the ensuing guilt, especially in a world afflicted by the isolation of the pandemic.<br><br> 

The film brings in a dedicated effort in stylizing itself with music, even if a few minor slips stay in the department of visuals. There is further evidence of devotion to storytelling and the execution of the plot, characteristics which can and should be explored in future projects. 


Macbeth | Short Film Nominee

The short narrative employs water as an image to invoke disconcerting aspects of the human mind, those that can drive one to unspeakable actions and consequences. <br><br> The story is a portrayal of a person inflicting violence on another, perhaps someone who lives with him in close quarters. The exploration of these chain of events operates within metaphors and symbolism, suggesting the act, but never truly showing it. On the whole, Deliverance, a solo project, exhibits potential, but it would be a welcome prospect to see a longer endeavor that expounds on the same thought in a more detailed manner.

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