The year is 2006, and the scene before us is replete with satanic imagery. A woman sits in a room by herself, completing a painting. The title, along with the many props and the character before us, has already provided the viewer with a horizon of expectation as to the direction the story might be headed in. The rest of the narrative becomes a visual progression of the ensuing journey towards the achievement of the same destination. <br><br> 
The film plays around with the limited space of the same room, and ties it with art to conjure its world for us. As the ritualistic proceedings develop, all of this is brought to life and presented to the viewer to engage with. 


Damnation | Short Film Nominee

When one begins to feel the slow, endless passing of time, it is not an experience to be cherished, one to be abhorred, instead. What is hell, after all, if not a state of mind, defined by an eternal, monotonous existence with no end in sight? The film desires to explore the same. <br><br> It brings to life the voice of a pencil and how it found itself fortunate enough to be in the hands of a great artist. However, tragedy soon cut short the course of its happiness, and that's when the pencil truly began to feel the flow of time. The film invokes all of these concerns, and attempts to adopt an experimental approach to engage with them by locating its protagonist amidst a world of paintings and sculptures.  

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