Chintu Sharma is a relentless film aficionado. As soon as school is over, he darts out to catch the latest film at the local theater. However, 'Phillum' does not immediately introduce us to its protagonist and this reality. 

Instead, first there is the establishment of a small school, perhaps even suggesting a movement back in time. The film presents a sincere endeavor in capturing the ethos of not only a village, but also of an endearing, enthusiastic young protagonist. 

As for Chintu, he is not only a viewer, but also a storyteller, even performer, as he regales his peers with stories of the films he has watched. The end result ties all of these elements together to leave the viewer with a narrative that aims to be wholesome and uplifting.

Phillum | Short Film Nominee

Working in the film industry as a costume designer, the protagonist, Aarti finds herself in a sore, difficult position as the caretaker of both, a paralysed husband, and an incompetent father. The father barely helps Aarti with the daily chores and is reluctant to contribute to Arvind’s care, convinced that his recovery is beyond the realm of possibility. 
Meanwhile, Aarti toils throughout the day, balancing both professional and personal duties. In a later conversation, the father reveals his disapproval of Aarti's choice to still support her husband, and therefore denying herself the opportunity to live in comfort as a homemaker. Where there is a disconnect between the duo regarding true independence and love for cinema and embroidery, a safe space of understanding and shared interest lies with the husband for the protagonist. Through the progression of all of these events, the film weaves an endearing story of unconditional support and a determined struggle.

Kasuti | Short Film Nominee

At the film's core is a simple premise - the ambition and dreams of glory of a young filmmaker which is tied with extremist elements within the story. However, the manner which is adopted to portray the same is far from simple - it shows the desire to innovate, to experiment, and not be hesitant of stepping out of one's comfort zone.

 In the process, a meta-narrative of sorts is produced which offers political commentary, a plot which is very self-aware and therefore sometimes invokes humor at its own expense and very deliberately so, mixes elements of surrealism with humor and violence, and ties it all together as the completed product of the film. 

 The non-linear narrative takes us into Alka's world and her very devoted attempts to tell a "politically visceral" story. With a hat-tip to Roland Barthes in its title, the film brings all of this, and some more, to life, ensuring that its storytelling and the execution of the plot remain fresh in tonality while, at the same time, engaging and entertaining the viewer throughout.

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