The music video, Panixiya, opens with a young woman, dressed in the traditional Assamese attire of sador-mekhela, peacefully gazing at a fish in a big bowl of water. She moves inside her mud house and transfers the fish to a smaller bucket. The bucket and its companion travel to calm waters, through the green lands and village roads as a woeful voice sings in the background. The sad, rhythmic melody talks of a pained life, one constituted by umpteen mistakes, distant relationships and unfulfilled emotions.
Through the notable vocals, tied effortlessly with the visuals unfolding before you, the narrative endeavors a story about existence and its relationship with the human soul, the many struggles that confine and threaten to consume it and its relentless efforts to push through, even when all seems lost and overwhelmed by despair. With no direct translation in the English language, the title of the film thus becomes an evocation of a philosophy which views the fish as our mortal coil swimming in the endless, unpredictable, unknown waters of existence.
Read LessThrough the notable vocals, tied effortlessly with the visuals unfolding before you, the narrative endeavors a story about existence and its relationship with the human soul, the many struggles that confine and threaten to consume it and its relentless efforts to push through, even when all seems lost and overwhelmed by despair. With no direct translation in the English language, the title of the film thus becomes an evocation of a philosophy which views the fish as our mortal coil swimming in the endless, unpredictable, unknown waters of existence.
