When it comes to storytelling, especially with the aid of a medium like a short film, it helps to focus on less than more. What it essentially means is that sometimes a sincere portrayal of a single moment, in the case of ‘Wing One's Way’ - a single conversation within the confines of the same room, is sufficient to make the story work.

The film achieves precisely this by taking us into a girl's dilemma who is mulling over coming out, and everything that would follow thereafter. There is something notably lovely and effortless about the two actors and their chemistry. This also marks the most pronounced aspect of the film - all the effort that has gone into making it look effortless and simple. The success of a story that is told devoid of any frills and bells, and with a consistent mellow approach to its many aspects, therefore becomes unmissable.

Wing One's Way...| Short Film of the Day

The music video, Panixiya, opens with a young woman, dressed in the traditional Assamese attire of sador-mekhela, peacefully gazing at a fish in a big bowl of water. She moves inside her mud house and transfers the fish to a smaller bucket. The bucket and its companion travel to calm waters, through the green lands and village roads as a woeful voice sings in the background. The sad, rhythmic melody talks of a pained life, one constituted by umpteen mistakes, distant relationships and unfulfilled emotions. 

Through the notable vocals, tied effortlessly with the visuals unfolding before you, the narrative endeavors a story about existence and its relationship with the human soul, the many struggles that confine and threaten to consume it and its relentless efforts to push through, even when all seems lost and overwhelmed by despair. With no direct translation in the English language, the title of the film thus becomes an evocation of a philosophy which views the fish as our mortal coil swimming in the endless, unpredictable, unknown waters of existence.

Panixiya | Short Film of the Day

The music video presents to us a lovely reality of two endearing characters (and actors). A young couple enjoys the rain, recording and capturing the falling drops on their camera. A world of laughter, cheer and love is thus invoked and documented on the lens. However, before the viewer becomes too comfortable with this reality, it is cut short by tragedy, death and loss, with only the memories of a happier time left behind in their wake. It is by juxtaposing the two scenarios, all along tied with lyrical vocals, that the core motivations are presented thus to the viewer, asserting that the bonds of love sometimes even transcend death.

Borokha Namile | Short Film Nominee

The thematic preoccupation of the narrative is something small and mundane, and yet, for the characters involved, it is an issue of extreme importance. That perhaps is how life is constituted too, by small moments that may seem trivial in the larger scheme of things, but it is precisely these moments that come to define and comprise our lived reality. The narrative locates itself in a rural pocket of the country where, one day, some catfish is captured for food by a man and shared with those around him. However, the activity is not as simple as it sounds, and soon becomes a topic of great discussion as well as derision by the rest of the community. The film offers a convincing and authentic glimpse into the daily affairs of the village, and the several social equations within which they come to take form. The storytelling exhibits potential, even though the cinematography could have gained from a little more stability in the visuals. Overall, however, the film remains a notable attempt at sharing its story and intentions with the audience.

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