The film displays ambition, aspiration, and intent to make a good short film. The story doesn’t quite
reveal itself to the viewer immediately. You’re given new information, a piece of the puzzle, slowly, as you move along. <br><br> The director wants the spectator to pay attention to all the work he’s put in,
to receive every move of the camera. This is also in the nature of a thriller where one can’t tell what
detail is ultimately important in the larger scheme of things. Pay Per News’s polished camerawork and edit is
actually its most advantageous factor, the second is the lead actor.

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