A film is like giving birth, suggests ‘Cinemaa’. The process of uniting a writer’s thoughts with the director’s vision, the execution of an idea that leads to the end result of a film, is positioned in parallel with bringing a life into this world, and the film in question commits to this metaphor with full devotion. The idea is pronounced in the title itself with a play on the word maa (mother). The plot is located in a different time and reality altogether to delineate the premise. 

The experimental approach is entertaining, and allows the film an edge of uniqueness. Consequently, the end result is bizarre in the most involving and fun ways. The narrative’s dedication to creating its world is also notable, at the end of it all, leaving the viewer with a composite and comprehensive whole.

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