The film is a sweet reflection on the age-old concepts that have become an ingrained, unquestioned part of our lived reality. They have been passed down as tradition, and we never pause to question them. The idea at hand (pun intended) here is about the discrimination between the left and the right hand of a person. <br><br>

Through a conversation that develops between the two, attributing them anthropomorphic voices and identities, the film presents its thematic concerns to the viewer. In the process, there is an attempt to start a conversation around the notions of equality and sometimes even the resultant presumptions about identity. All of this is portrayed in a lighthearted, honest manner, keeping the viewer entertained during the course of the film. 



L.H.S = R.H.S | Short Film Nominee

It is a quiet winter morning filled only with a boy reciting the Indian pledge. Soon he is joined by other children’s voices, all of varying ages and from different households. These voices of innocence then become a significant perspective into the cruelties and darkness of the adult world. <br><br>

The film preoccupies itself with domestic violence within marriage where both men and women are at the receiving end. The decision to explore the issue through the simple and straightforward point of view of children remains the most notable aspect of the film. 



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