The film opens on a light note, beguiling the true sentiment that would come to constitute its core. Despite its short duration, Kandh De Paar skilfully touches upon several things that include one's sense of identity, notions of idealism juxtaposed against those of realism, minority persecution as well as an internal ideological battle of the protagonist. Visually, the narrative aims to play with sound (perhaps suggesting a delicate handling of violence) and all that unfolds on screen (red shadows cast on characters, for instance). <br><br> The beginning of the narrative is simply a chaotic Sikh household dealing with its daily bickering and confusion. However, it immediately progresses to reveal a far darker reality that simmers just below the surface, one of the persecution of the Sikhs in 1984 in the wake of the assassination of the then Indian Prime Minister Indira Gandhi. Both Taranjit Kaur and Guneet Singh Nanda bring the story to life with their notable performances and draw the viewer deep into it beyond the point of no return. It should be added that the film does indeed lose brownie points in the department of sound and certain camera angles which could gave gained with a little more polishing and sophistication. However, on the whole, it succeeds at presenting a moving portrayal of a gory and disturbing chapter of Indian history.

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