Bablu lost his parents during the migrant crisis that took place when millions of workers tried to return to their homes and native villages during the COVID-19 pandemic. Though the film premises itself on a reality as dark as this, the story it seemingly offers is one of hope, dreams, and in the process, upliftment. Using this as a starting point, however, the film eventually moves in decisively unexpected directions. 

The inevitable and consequent contrast proves impactful in driving the narrative’s message home. The screenplay and its many characters are constructed thoughtfully to ensure that even though at first glance the reality might require a slight suspension of disbelief, for instance, a group of kids playing football minus any adult supervision, the eventual conclusion of the film, reinstates all logic and rationale in the plot progression. 

Bablu works at his uncle's dhaba but harbors an innocent dream amidst it all - the dream of playing football like all the other more fortunate kids around him. As the two realities overlap, the film presents a story that is sure to stay with the viewer long after they are done watching the film. Though not devoid of limitations that might sometimes afflict a project spearheaded by young actors, the storytelling, visual structure, and world-building exhibit skill and finesse.

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